Interpol + Spoon

INTERPOL + SPOON
Lights, Camera, Factions Tour
with support from The Goon Sax

Interpol began in New York in 1997, when guitarist Daniel Kessler recruited bassist Carlos Dengler and singer/guitarist Paul Banks to form a band. In 2002, with Sam Fogarino on drums, the band signed to Matador records and released Turn On The Bright Lights, which made it to 10th position on NME’s list of 2002’s top releases and Pitchfork named it the year’s #1 album. Over the next decade and a half Interpol would go on to wide critical and commercial acclaim, with five subsequent high charting records on the Billboard 200; earning rave reviews across the map from Rolling Stone to TIME; performing on late night television shows and playing major festivals like Coachella and Glastonbury and headlining Mexico’s Corona Capital. The band (Banks, Kessler and Fogarino) have just finished recording their latest studio album with legendary production duo Flood & Moulder, due for release this year through Matador Records.

Spoon’s tenth album, Lucifer on the Sofa, is the band’s purest rock ’n’ roll record to date. Texas-made, it is the first set of songs that the quintet has put to tape in its hometown of Austin in more than a decade. Written and recorded over the last two years – both in and out of lockdown – these songs mark a shift toward something louder, wilder, and more full-color. Halfway through the recording process, the pandemic hit. The studio shutdown, but frontman Britt Daniel continued writing. “There are songs I wrote last spring [of 2020] that I wouldn’t have come up with otherwise,” he says. “It was that first-of-its-kind moment.” Lucifer on the Sofa is the sound of that moment, a record of defiant optimism, the sound of a band cracking things open and letting them spillout onstage. At a time fraught with uncertainty, it’s shutting the door on the devil you know and never looking back.